Physician Assisted Suicide Who Should Decide If A...

Grace Lukash 5/25/16 Gemini Government Siembor Who should decide if a terminally ill person has the right to commit physician-assisted suicide? Introduction Physician Assisted Suicide has been a very controversial topic in the recent years. P.A.S can also be known as physician assisted death or euthanasia. Many states wonder wither this practice is morally right or wrong. Physician Assisted Suicide is when a doctor administers patient lethal drugs, upon the request of the patient, with the end result being death. A popular question that surfaces when this topic is brought up is: Who should decide if a terminally ill patient had the right to commit physician assisted suicide? In support of the previous statements, this†¦show more content†¦The Netherlands and Switzerland have decriminalized the practice of assisted suicide. This was an important step because then many people traveled to these countries to commit this act. Craig Ewert, a British citizen is an example of one of these people. He traveled to Zurich in 2008 to commit suicide (Pickert,2009). Physician assisted suicide is also legal in five states: California, Oregon , Vermont, Washington, and Montana. Timeline of Events In October 27 1997, Oregon’s Death with Dignity Act was made into a law (CNN, 2016). November 4, 2008, Washington’s initiative, the Death with Dignity Act passed with 57.91% of favored votes (CNN, 2016). In the March of 2009, The Washington Death with Dignity Act started to go in effect (CNN, 2016). Montana asserts the Rights of the Terminally Ill Act which protects physicians who prescribe the patient lethal pills from being liable in December 31, 2009 (CNN, 2016). Vermont joins the other states the legalized P.A.S in May 20, 2013 by signing Patient Choice and Control at End of Life act into a law (CNN, 2016). October 5, 2015 Jerry Brown Signs the End of Life Option Act as a law, which would legalize physician-assisted suicide (CNN, 2016). States that support P.A.S Requirements and Restrictions Out of all 50 states, only five have made physicians assisted suicide legal. These starts are California, Washington, Oregon, Vermont, and Montana. Each of these states

There Is No Metaphysics On Earth Like Chocolate Essay

70 Delicious Facts About . . . Chocolate 1. Portuguese poet Fernando Pessoa once wrote, â€Å"There is no metaphysics on earth like chocolate .†l 2. Hershey’s produces over 80 million chocolate Kisses--every day. i 3. The English chocolate company Cadbury made the first chocolate bar in the world in 1842.f 4. In the film Psycho, Alfred Hitchcock used Bosco chocolate syrup for blood in the famous shower scene. p 5. Although cacao originated in Central and South America more than 4,000 years ago, now approximately 70% of the world’s cacao is grown in Africa. Cote d’lvoire is the single largest producer of cocoa, providing roughly 40% of the world’s supply. l 6. Chocolate has traditionally been associated with magical, medicinal, and mythical properties. In fact, in Latin, cacao trees are called Theobroma Cacao, or â€Å"food of the gods .†m Dark chocolate compliments red wine 7. Champagne and sparkling wine are too acidic to go well with dark chocolate. Red wine typically compliments it the best. n 8. Reports predict that the global chocolate market will grow to $98.3 billion in 2016 from $83.2 billion in 2010.e 9. Cacao trees can live to be 200 years old, but they produce marketable cocoa beans for only 25 years. l 10. Nearly all cacao trees grow within 20 degrees of the equator, and 75% grow within 8 degrees of either side of it. Cacao trees grow in three main regions: West Africa, South and Central America, and Southeast Asia/Oceania. l 11. Each cacao tree can produceShow MoreRelatedA Picatrix Miscellany52019 Words   |  209 Pageslhwà ¢n al-Safà ¢Ã¢â‚¬â„¢, we soon find whole pages together which are identical with that work, and, in part, with the work edited by Goldziher as The Book of the Essence of the Soul (Kità ¢b ma`à ¢nà ® al-nafs) (pp.42-46). The human being as he is actually found on earth is shown to depend from his idea, the universal man, and this dependence is illustrated by a succession of hypostases (pp.47-50). Numerous single echoes of Neo-Platonic and pseudo-Empedoclean propositions may be identified here, but the passage asRead MoreOne Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pagesand retreat of the process of globalization. 8 †¢ INTRODUCTION Exploring the forces that explain this dynamic not only helps to explain some of the apparent paradoxes that bedevil those who aspire to make sense of the history of planet Earth over a span of more than a hundred years but also provides the basis for maintaining a semblance of continuity despite the genuinely cataclysmic break points that obscure the century’s fundamental unity. CH APTER 1 _ World Migration in

Place and start Essay Example For Students

Place and start Essay In chapter 18 the story switches to the van Rooyen household. The chapter starts with Benjamin working on cutting notches in a pole, while pitying himself as he realizes that his mother is not coming for him. Benjamin then tries praying however he isnt sure what to say, he then prays for his old family, even for kicker and Pollie yet not for the van Rooyen family. Barta then asks Benjamin whether he is happy to be in with his new family; however Benjamin doesnt answer the question. After this happens Elias comes in and instructs Nina and Benjamin to follow him and to remember the way, as they will sometimes go to the place alone. Benjamin is then told to climb a tree, and then Nina follows him up the tree into a space were there is just enough space for both of them. Both of the children are then told that if they ever hear anything they should just leave everything and climb straight up the tree. Nina then spots another tree which is easier to climb, she tells her father this however he states that that tree is for him. Over the next few days Nina and Benjamin come to the same place and start digging a pit yet they are not told for what the pit is. Both Nina and Benjamin agree that digging the pit is better than making beams. This is then were my section ends. The main theme in this chapter was family. Even after all the time Benjamin has been spending with his new family he still loves his old family a lot more. This is proven when Barta asks him if he is happy yet he doesnt answer. Benjamin also doesnt like the van Rooyen family which is evident after he dosent even mention them in his prayer.  I think that after the talk which Barta and Benjamin had that Barta realized that her child is unhappy where he is. I think that this shocked Barta as she didnt say anything after Lukas didnt answer him. I think that this was the first time that Barta realized that Benjamin is actually unhappy. This is a major development in her character as I think that it will change the way she acts around Benjamin. The fact that Benjamin prayed was not something suprising, however who he prayed for was suprising. I was not surprised that he prayed for the entire Komoetie family. I even expected Benjamin to pray for both of the ostriches, as he knows that they will provide a lot of income for his old family. However I was quite shocked that Benjamin didnt pray for any of the van Rooyen family. This shows how little he cares for any of them. When Elias said that the easy to climb tree was for him I was stunned. Most people would choose the life of their children before theirs, however Elias decided that the tree which he can climb the fastest Is his. This shocked me as I always thought that Elias dearly loved his children and was just strict to them.  The rising action in this theme was when Elias told Nina and Benjamin to dig. I believe that this will soon be important as they can be trampled by the elephants. I think that something bad will happen involving elephants with the pit. I didnt really like the first half of this scene a lot. The reason for this was that nothing that was very interesting happened. However I believe that soon something very interesting will happen in the book.  Quote  What are you listening for, Pa Nina asked.  Nothing. The man seemed afraid of something.  This quote shows symbolizes that soon something bad will happen. This is because Elias is scared, even though he usually isnt scared when he is in the forest.

One Art free essay sample

One Art by Elizabeth Bishop is a villanelle poem. A villanelle poem is a nineteen line poem that consists of five, three-line stanza followed by a quatrain. Bishop’s poem brings a fascinating irony between different levels of losses. Between each stanza, the development of trivial losses escalates into a bigger and traumatic loss that was unprepared for. An intense repetition of the phrase â€Å"the art of losing isn’t hard to master† suggests a few given things (Bishop 1499). She attempts to bring out the fact that â€Å"losing† is a type of skill that you can gain by overcoming. Therefore, by mastering it, you have the ultimate control. Throughout the poem, the phrase â€Å"art of losing† has been used to emphasize the speaker’s effect on how â€Å"it isn’t hard to master,† which suggests â€Å" that the speaker is trying to convince herself that losing things is not hard and she should not worry† (â€Å"Essay Interpreting one Art By Elizabeth Bishop Page 1 of 2). We will write a custom essay sample on One Art or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In fact, the â€Å"art of losing† takes an increasingly significant role all throughout the poem. Each stanza represents what she loss and the level of the loss. †Language and verse form show in â€Å"One Art how the losses increase in importance as the poem progresses, with the losses in lines 1-15 being mostly trivial or not very important to the great loss in lines 16-19 or a beloved person† (Page 2 of 2). From the beginning of the poem, her losses began to be trivial such as â€Å"lost door keys, the hourly bad spent† (Bishop 1499). Bishop used â€Å"second person. â€Å"Lose something every day. † seems to command one to practice the art of losing things† (Page 1 of 2). Towards the last three stanzas, the second person point of view was shifted to first person point of view after a few references to herself using the subject â€Å"I. † Bishop also suggests how you can practice to perform this type of art by using illustrations of progressive losses from trivial to more significant losses throughout the poem. â€Å"Four times, the narrator asserts that there these losses are â€Å"no disaster. Thus, the central thesis of this poem is that over time, one may learn to cope with loss, even with the loss of those we love† (â€Å"Elizabeth Bishop’s â€Å"One Art† Page 1 of 2). By using different claims of losses, Bishop was able to suggest a statement following certain types of solutions to deal with the loss. For example, the first stanza, including throughout the poem, in cluded the fiercely used phrase that â€Å"the art of losing isn’t hard to master† (Bishop 1499). In the second stanza, it provides the answer to the conflict of trying to master the art of losing by â€Å"losing something every day. Accept the fluster of lost door keys, the hourly bad spent†¦Ã¢â‚¬  With this said, Bishop suggests to readers that by â€Å"practicing losing farther, losing faster,† the readers will be able to achieve their goal: to master the art of losing (1499). â€Å"As we do so, we will recognize that these daily losses truly are no significant† (â€Å"Elizabeth Bishop’s â€Å"One Art† Page 1 of 2). When Bishop adds reference to herself in the poem, the transition from the more trivial day-to-day losses is nothing compared to her own specific incidents. Her incidents include â€Å"lost of her mother’s watch,†¦/†¦next-to-last, of three loved houses went. /†¦lost two cities, lovely ones. And, vaster,/ some realms I owned, two rivers, a continent†¦Ã¢â‚¬ (Bishop 1499). The bigger loss suggested in this poem was â€Å"-Even losing you† (1499). The Webster definition of losing is: resulting in or likely to result in defeat, or marked by many losses or more losses than wins. In the beginning of this poem, losing is defined as the misplacement of an item; therefore, resulting in not being able to locate the item again. For instance, the lost door keys were a misplaced item. But, as the poem progresses, the items being lost are getting bigger and more significant. The level of losing is definitely becoming more defining and more coping. â€Å"Places, and names, and where it was you meant/ to travel I lost my mother’s watch. And look! my last, or/next-to last, of three loved houses went†¦I lost two cities, lovely ones. And, vaster,/ some realms I owned, two rivers, a continent/†¦it wasn’t a disaster† (Bishop 1499). The combination of stanza 4 and 5 give a couple of suggestions. First, the poem progressed from the smaller things that should not have been of concern to larger things that start to matter. â€Å"But by stanza four, a slightly different meaning of â€Å"losing† creeps into the poem—that is, â€Å"losing† as â€Å"coping with loss†¦The narrator apparently manages to cope†¦Ã¢â‚¬  (Elizabeth Bishop’s â€Å"One Art† Page 2 of 2). In this poem, the attitude that the speaker conveys in each stanza seems to fluctuate as the losses get greater. With her uses of punctuation and â€Å"courageous pretense built into this poem,† it seems as though Bishop tries to convey a â€Å"wry, funny, and flippant and very determined not to sound weepy- eyed† type of attitude (Krishnan Page 1 of 3). The trivial matters suggested in the beginning of the poem don’t seem to cause a big affect on the speaker’s attitude. Towards the end, the poem conveyed a sense of how the speaker was feeling by using â€Å"the joking voice, a gesture I love† (Bishop 1499). With this â€Å"joking voice,† she was able to yet again point out that â€Å"the art of losing’s not too hard to master† (1499). With this repetitive type of suggestion, it is almost as if â€Å"this phrase turns it into an incantation, warding off potential feelings of loss† (Elizabeth Bishops One Art† Page 2 of 2). This poem uses an abundant amount of literary devices especially hyperboles and irony. One Art is a very ironic villanelle poem. The phrase â€Å"losing is an art† might suggest that her attempt of persuading herself and readers that internal pain can be evaded; even if the predictable, and most catastrophic, losses that happen in our lives does not have to be a disaster; or could it be an excuse? One Art free essay sample A villanelle poem is a nineteen line poem that consists of five, three-line stanza followed by a quatrain. Bishop’s poem brings a fascinating irony between different levels of losses. Between each stanza, the development of trivial losses escalates into a bigger and traumatic loss that was unprepared for. An intense repetition of the phrase â€Å"the art of losing isn’t hard to master† suggests a few given things (Bishop 1499). She attempts to bring out the fact that â€Å"losing† is a type of skill that you can gain by overcoming. Therefore, by mastering it, you have the ultimate control. Throughout the poem, the phrase â€Å"art of losing† has been used to emphasize the speaker’s effect on how â€Å"it isn’t hard to master,† which suggests â€Å" that the speaker is trying to convince herself that losing things is not hard and she should not worry† (â€Å"Essay Interpreting one Art By Elizabeth Bishop Page 1 of 2). We will write a custom essay sample on One Art or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page In fact, the â€Å"art of losing† takes an increasingly significant role all throughout the poem. Each stanza represents what she loss and the level of the loss. †Language and verse form show in â€Å"One Art how the losses increase in importance as the poem progresses, with the losses in lines 1-15 being mostly trivial or not very important to the great loss in lines 16-19 or a beloved person† (Page 2 of 2). From the beginning of the poem, her losses began to be trivial such as â€Å"lost door keys, the hourly bad spent† (Bishop 1499). Bishop used â€Å"second person. â€Å"Lose something every day. † seems to command one to practice the art of losing things† (Page 1 of 2). Towards the last three stanzas, the second person point of view was shifted to first person point of view after a few references to herself using the subject â€Å"I. † Bishop also suggests how you can practice to perform this type of art by using illustrations of progressive losses from trivial to more significant losses throughout the poem. â€Å"Four times, the narrator asserts that there these losses are â€Å"no disaster. Thus, the central thesis of this poem is that over time, one may learn to cope with loss, even with the loss of those we love† (â€Å"Elizabeth Bishop’s â€Å"One Art† Page 1 of 2). By using different claims of losses, Bishop was able to suggest a statement following certain types of solutions to deal with the loss. For example, the first stanza, including throughout the poem, included the fiercely used phrase that â€Å"the art of losing isn’t hard to master† (Bishop 1499). In the second stanza, it provides the answer to the conflict of trying to master the art of losing by â€Å"losing something every day. Accept the fluster of lost door keys, the hourly bad spent†¦Ã¢â‚¬  With this said, Bishop suggests to readers that by â€Å"practicing losing farther, losing faster,† the readers will be able to achieve their goal: to master the art of losing (1499). â€Å"As we do so, we will recognize that these daily losses truly are no signifi cant† (â€Å"Elizabeth Bishop’s â€Å"One Art† Page 1 of 2). When Bishop adds reference to herself in the poem, the transition from the more trivial day-to-day losses is nothing compared to her own specific incidents. Her incidents include â€Å"lost of her mother’s watch,†¦/†¦next-to-last, of three loved houses went. /†¦lost two cities, lovely ones. And, vaster,/ some realms I owned, two rivers, a continent†¦Ã¢â‚¬ (Bishop 1499). The bigger loss suggested in this poem was â€Å"-Even losing you† (1499). The Webster definition of losing is: resulting in or likely to result in defeat, or marked by many losses or more losses than wins. In the beginning of this poem, losing is defined as the misplacement of an item; therefore, resulting in not being able to locate the item again. For instance, the lost door keys were a misplaced item. But, as the poem progresses, the items being lost are getting bigger and more significant. The level of losing is definitely becoming more defining and more coping. â€Å"Places, and names, and where it was you meant/ to travel I lost my mother’s watch. And look! my last, or/next-to last, of three loved houses went†¦I lost two cities, lovely ones. And, vaster,/ some realms I owned, two rivers, a continent/†¦it wasn’t a disaster† (Bishop 1499). The combination of stanza 4 and 5 give a couple of suggestions. First, the poem progressed from the smaller things that should not have been of concern to larger things that start to matter. â€Å"But by stanza four, a slightly different meaning of â€Å"losing† creeps into the poem—that is, â€Å"losing† as â€Å"coping with loss†¦The narrator apparently manages to cope†¦Ã¢â‚¬  (Elizabeth Bishop’s â€Å"One Art† Page 2 of 2). In this poem, the attitude that the speaker conveys in each stanza seems to fluctuate as the losses get greater. With her uses of punctuation and â€Å"courageous pretense built into this poem,† it seems as though Bishop tries to convey a â€Å"wry, funny, and flippant and very determined not to sound weepy- eyed† type of attitude (Krishnan Page 1 of 3). The trivial matters suggested in the beginning of the poem don’t seem to cause a big affect on the speaker’s attitude. Towards the end, the poem conveyed a sense of how the speaker was feeling by using â€Å"the joking voice, a gesture I love† (Bishop 1499). With this â€Å"joking voice,† she was able to yet again point out that â€Å"the art of losing’s not too hard to master† (1499). With this repetitive type of suggestion, it is almost as if â€Å"this phrase turns it into an incantation, warding off potential feelings of loss† (Elizabeth Bishops One Art† Page 2 of 2). This poem uses an abundant amount of literary devices especially hyperboles and irony. One Art is a very ironic villanelle poem. The phrase â€Å"losing is an art† might suggest that her attempt of persuading herself and readers that internal pain can be evaded; even if the predictable, and most catastrophic, losses that happen in our lives does not have to be a disaster; or could it be an excuse? (Schmeer Page 1 of 3). The hedging in the narrators phrases parallels hedging throughout this poem, a poem whose very existence denies what its lines seem to want to claim: the art of losing is hard to master, especially when that art refers to coping with the loss of someone we love, someone who goes away, someone whose going away is a disaster†.